So, at the beginning of the summer I went shopping for monolights. It took me a month or two to commit to a purchase after reading review after review, but I finally settled on Elinchrom’s BX500Ri.
I went with
Elinchrom for a lot of reason’s, and so far I am not disappointed.
The BX500Ri monolight is considered one of Elinchrom’s “Entry Pro Compacts”. The biggest differences are variance and build. I didn’t need a particularly wide power range for these lights since I only intend to use them when I need more power than a speedlight or in combination with a 2400 pack. If I ever need less power out of a head for any reason, I keep ND’s with me on location anyway, and paper towels work if I forget to bring ND’s.
My biggest concern with these particular heads was build quality. I had read a few reviews complaining about the handle and the mounting hardware. After using them for the past few months though, I would have to say that they are pretty durable. If you treat your gear with ANY respect you shouldn’t have to worry about the casings, they are pretty tough.
The bulbs however scare me. There is no option to put a protective dome over the flash tube and modeling light. So every time you change modifiers you risk hitting and breaking the tube. This is a pretty big risk, but if I had to do it over I would still go with these lights.
The interface is incredibly easy. The power is adjusted with the push of a button. Your power level is displayed digitally and can be controlled in 1/10th of a stop increments. The increment can be adjusted to your needs and the same control is applied to the modeling light settings, push button on/off and power control.
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The system comes with Elinchrom’s amazing Skyport system built in or accepts a mono jack sync cord. If you don’t have the Skyport system and run out of wireless receivers, each head has a built in optical slave that is far more consistent than any other optic I have worked with.
The ready chirps can be turned off easily or adjusted to be less annoying. Each head goes up to 500ws and can be adjusted as low as 31ws. This is a problem for some, 31ws just isn’t low enough in a small working space, but two sheets of .9 ND and the power is dropped below 8ws. Of course you could just use a speedlight if you need to drop that low.
Overall I am very happy with these lights. If I had it to do over I would make the same choice and I guess that says enough.
Ok thanks! But the color cast they give, is it easy corrected in raw converter? And how do you tape them, on the silver inside the softbox or on the white part? And I bought the wrong size for the 66×66 kit softboxes :P What size you use?
Cheers!
ND gels do not cause a color cast. If you are getting a color cast the gels may be dirty or burned from the modeling light. Throw away burned NDs.
Gaffers tape is the easiest way to tape the gel into the softbox. For the size I just get 21×24′s and use gaffers tape to secure them as far from the light as possible while still touching the walls on all four sides. If you can’t get very far from the light leave the modeling light off. And never leave the gels touching the flash tube as they will melt to it.
Hi where do you buy ND filters for the monolights?
B&H generally has them for a good price.
http://www.bhphotovideo.com/c/search?Ntt=rosco+nd+sheet&N=0&InitialSearch=yes
.9 is just under 1 stop of ND and so on.
Forgot to mention that you probably need a Halogen Lamp Adapter. It adapts E27 sockets to GX 6.35. You can use small halogen lamps. I think you can then fit a dome over the lamp and flash tube.
http://elinchrom.com/products.php?p_id=188#content
Hi Matthew, Elinchrom does have optional protective domes (three) and I believe they fit the BXRi series too. Do corect me if I am wrong.
http://elinchrom.com/products.php?p_id=195
Hello Matthew, thanks for the review. I just picked up a set of ‘FX Master Ri’ which is the 600w set marketed in mainland China. I tried the taping of the ND inside the softbox and it’s working like a charm.
Great review… I just bought these lights and am very happy with them also. However, I do notice at times that I wish I was able to lower the power more. Where to you put your ND gels? Tape it on the end of your reflector?
Wayne
I attach the ND’s differently depending on the modifier. If I am just using the reflector I just tape it to the end but if I am using a softbox I actually tape the ND to the inside of the soft box at the point were all four sides touch the walls. The biggest thing is just to make sure that there isn’t any light leaking around the edge of the gel.
Thanks for the comment. I enjoyed the opening slideshow on your site.